Correspondence.

Two old metal mailboxes emerge from a worn wall, flanking a brass push-button panel. The peeling sheet metal of the first dialogues with the bluish oxidation of the second. An intense light projects the sculptural shadow of the containers onto the plaster, rich with mossy nuances.

The pictorial matter focuses on the narration of time through corrosion. The oil on canvas perfectly imitates the fragility of the flaking paint and the roughness of the chipped wall. The brush moves with precision among the small holes and mechanical details.

The painting radiates a suspended and melancholic atmosphere. The artist transforms everyday communication tools into silent relics. It is a vision dense with expectations and undelivered messages.